CRAIG CULLY
Foundations Drawing
Drawing I Contour line drawing mapping the progressive crushing of a plastic bottle charcoal on paper 18" x 24" each
Drawing I Contour line drawing showcasing linear perspective charcoal on paper 18" x 24" charcoal on paper
Drawing I Contour line drawing showcasing linear perspective charcoal on paper 18" x 24"
Drawing I Observational contour line drawings using the formula for linear perspective to create a composite of an entire space from various vantage points and angles graphite on paper 24" x 18" each
Drawing I Observational drawings using the formula for linear perspective to render the underside of a stadium charcoal on paper 18" x 24" each
Drawing II Observational drawing using the formula for five-point perspective to render an interior space graphite on paper 48" x 18"
Drawing II Observational drawing using the formula for five-point perspective to render an interior space graphite on paper 48" x 18"
Drawing II Observational drawing using the formula for five-point perspective to render an interior space graphite on paper 48" x 18"
Drawing I Using the optical value method of crosshatching in a cross-countour manner to render a bone fragment white charcoal pencil on black paper 18" x 24"
Drawing I Portrait drawing using optical value charcoal on paper 18" x 24"
Drawing I Portrait drawing using optical value 24" x 18" charcoal on paper
Drawing I Portrait drawing using optical value charcoal on paper 24" x 18"
Drawing I Still life composition focusing on light and shadow charcoal on paper 24" x 18"
Drawing I Still life composition focusing on light and shadow charcoal on paper 18" x 24"
Drawing I Still life composition including clear glass, pattern drapery and reflective, mirrored object black and white charcoal on grey paper 24" x 18"
Drawing I Still life composition including clear glass, pattern drapery and reflective, mirrored object black and white charcoal on grey paper 24" x 18"
Drawing I Still life composition including clear glass, pattern drapery and reflective, mirrored object black and white charcoal on grey paper 24" x 18"
Drawing I Still life composition including clear glass, pattern drapery and reflective, mirrored object 24" x 18" black and white charcoal on grey paper
Drawing I Still life composition including clear glass, pattern drapery and reflective, mirrored object black and white charcoal on grey paper 24" x 18"
Drawing I Still life composition including clear glass, pattern drapery and reflective, mirrored object black and white charcoal on grey paper 24" x 18"
Drawing I Still life composition including clear glass, pattern drapery and reflective, mirrored object black and white charcoal on grey paper 24" x 18"
Drawing I Self portrait that communicates intended content charcoal on paper 34" x 42"
Drawing I Self portrait that communicates intended content charcoal on paper 34" x 42"
Drawing I Self portrait that communicates intended content charcoal on paper 34" x 42"
Drawing I Self portrait that communicates intended content charcoal on paper 34" x 42"
Drawing I Self portrait that communicates intended content charcoal on paper 42" x 34"
Drawing I Self portrait that communicates intended content charcoal on paper 34" x 42"
Drawing II Still life composition in full color pastel on paper 24" x 18"
Drawing II Still life composition in full color pastel on paper 24" x 18"
Drawing II Still life composition in full color pastel on paper 24" x 18"
Drawing II Drawing that ironically uses the device of anamorphic distortion to alter the appearance of a supermodel pastel on paper 24" x 18"
Drawing II Drawing that ironically uses the device of anamorphic distortion to alter the appearance of a supermodel pastel on paper 24" x 18"
Drawing II Drawing that ironically uses the device of anamorphic distortion to alter the appearance of a supermodel pastel on paper 24" x 18"
Drawing II Composition of draped, colored cloth focusing on rendering light and shadow pastel on paper 24" x 18"
Drawing II Composition of draped, colored cloth focusing on rendering light and shadow pastel on paper 24" x 18"
Drawing II Composition of draped, colored cloth focusing on rendering light and shadow pastel on paper 24" x 18"
Drawing II Composition of draped, colored cloth focusing on rendering light and shadow pastel on paper 24" x 18"
Drawing II Using contemporary subject matter to compose a still life based on the genre of Vanitas examining three different light conditions pastel on paper 24" x 18"
Drawing II Using contemporary subject matter to compose a still life based on the genre of Vanitas examining three different light conditions pastel on paper 24" x 18"
Drawing II Using contemporary subject matter to compose a still life based on the genre of Vanitas examining three different light conditions pastel on paper 24" x 18"
Drawing II Still life composition that alludes to a landscape pastel on paper 24" x 18"
Drawing II Still life composition that alludes to a landscape pastel on paper 24" x 18"
Drawing II Using optical color to produce a self portrait pastel on paper 18" x 24"
Drawing II Using optical color to produce a self portrait pastel on paper 24" x 18"
Drawing II Using optical color to produce a self portrait pastel on paper 24" x 18"
Drawing II Using optical color to produce a self portrait pastel on paper 24" x 18"
Drawing II Collage-like drawing based on the primary tenets and visual characteristics of Postmodernism pastel on paper 34" x 42"
Drawing II Collage-like drawing based on the primary tenets and visual characteristics of Postmodernism pastel on paper 34" x 42"
Drawing II Collage-like drawing based on the primary tenets and visual characteristics of Postmodernism pastel on paper 42" x 34"
Drawing II Collage-like drawing based on the primary tenets and visual characteristics of Postmodernism pastel on paper 34" x 42"
Drawing II Collage-like drawing based on the primary tenets and visual characteristics of Postmodernism pastel on paper 34" x 42"
Drawing II Collage-like drawing based on the primary tenets and visual characteristics of Postmodernism pastel on paper 34" x 42"